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The old woman went away, and after a time came back with one of the man's relations. He went with this relation to the ghosts' camp. When they came to the large lodge some one called out and asked the man what he was doing there, and he answered as the old woman had told him. As he passed on through the camp the ghosts tried to frighten him with many fearful sights and sounds, but he kept up a strong heart. So Doatie, nervous and miserable, and with unshed tears in her eyes, stands where he tells her, with her hand resting on the back of an arm-chair, while he, going over to the window, deliberately turns his face from hers. Yet even now he seems to find a difficulty in beginning. There is a long pause; and then—— "'What darling little hands you have!'" begins Nolly, quite innocently..
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Conrad
"Blame no one," says Mona. "But if there is anything in your own heart to condemn you, then pause before you go further in this matter of the Towers." Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud." "I don't care to hear about the contents of your wardrobe," interrupts Lady Rodney, with a slight but unkind shrug. "I am glad, at least, you were not seen in that objectionable headdress you so often affect." Following her, he takes both her hands, and, holding them closely, draws her back to her former position beside him..
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